The bandura is Ukraine’s national instrument, and a symbol of its independence and resistance. For my personal connection with the bandura, I’ve been taking lessons for a little over a year now. While Ukrainian cultural heritage is being targeted in the war, I wanted to learn how to play a traditional instrument. Recently, I’ve also inherited my godfather’s bandura. To me, playing the bandura connects me to my Ukrainian roots as well as my Ukrainian-American identity. I always perk up at the chance to share this wonderful instrument with others, since my saying “I play the bandura” inevitably results in the question “Oh, what is that?”
This past year, I went to a concert performed by the Women’s Bandura Ensemble of North America (WBENA), of which my teacher is a member. After the show, she came up to me and mentioned that a lot of the songs they played that evening were sad. That moment clicked for me. I began wondering what songs are commonly played, and why? There are so many different types of songs that can be played on the bandura – modern, folk songs, dumy (epic poems), dance songs, religious songs, etc.
So, for my project, I decided to try to map out each of the songs at each of the WBENA’s performances to dig into the context behind them and see what trends arose. Yes, I picked the WBENA because I am the most familiar with this ensemble, but I’m also interested in doing this project with them because A. They are a North American ensemble and B. they are an all-female ensemble. Most bandura ensembles are all-male, and the bandura is traditionally considered a male coded instrument. By doing my project on the WBENA, I wanted to look into and share these two perspectives.
The project itself is a Wax-based website hosted for free on GitHub Pages. I’ve had some previous experience with Wax and wanted the website to continue on without worrying about costs after its completion. I also like how efficient and lightweight the framework is – from a simple csv, you can populate a series of pages on a given collection. Also, given that this project is based around a set of PDF’s and tags, the project doesn’t need anything too complex. Each program will have a song list, and each song in that list will lead to its own page providing context (such as language, composer, genre, themes, etc) and (where applicable) lyrics and an embedded audio or YouTube clip.
For the project, the team would be working very closely with the WBENA, ensuring that they are 100% on board with what we’re publishing and also turning to them as a resource for our research into the songs.
This project is fairly unique – the only similar website that I was able to find in my search is Songs of Truth, a website for the CD recording of the Julian Kytasty bandura concert of the same name. In this site, however, each song has lyrics (where applicable) and the program notes from the concert on its own page. For my site, I’d like to situate each performance in its own time and see what songs and themes repeat. I’d like for people to come and take a deep dive into the repertoire and discover the rich history and bright future of bandura music and the people who play it.